Mastering the secrets of breath control can unlock potential in your playing in a way you might not even imagine possible.
If you've ever...
- had trouble taking a fast breath between phrases without chopping up the music
- failed to maintain good sound all the way to the end of a phrase
- lost control of your breathing at an audition
…Or if you've ever used concepts like “support" and “expansion” to play more beautifully, consistently and confidently—but didn't get results…
You Are Not Alone.
I’m creating resources, tips, and lessons to share with you here to help you learn more about the confusing, but fascinating, topic of breathing.
But most of all, I’m here to help you reach your full potential as a musician, by using your most valuable, elemental and INVISIBLE resource: YOUR AIR.
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Aralee Dorough is principal flutist of the Houston Symphony and Affiliate-Artist at the University of Houston's Moores School of Music and the Texas Music Festival and has been guest artist at the Aspen Music Festival, Ravinia Festival and Pacific Music Festival. She can be heard on numerous Houston Symphony recordings and as concerto soloist on the Mozart Concerto in G major with Christoph Eschenbach and the Houston Symphony. and on solo recordings Colours and The Ergonomic Flute. As a soloist she has worked with conductors Rafael Fruhbeck de Burgos, Christoph Eschenbach, Hans Graf, Nicholas McGegan, Joshua Rifkin and Jane Glover. Dorough’s output also includes forays into jazz and other settings in frequent collaboration with her father Bob Dorough, composer and musical director of Schoolhouse Rock.
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